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Where or in what time space does identity reside? Yvonne Ng asks How does someone else’s movement quality impact my own dancing self? as she undertakes a pointed investigation for her solo, In Search of the Holy Chop Suey. In it, she ponders a life of creation and imitation in movement and mines influences from sources as varied as her mother, modern dance and kung fu legends, ordinary people, wild animals and more. Says Ng, “When I imitate, I also uncover something unique in myself. Each time I fail to become more like my mother—or my favourite kung fu hero Bruce Lee—I become more me.”

In explaining the title, Ng says: “In the late seventies/early eighties, there was a TV series called In Search of… that focused on mysterious phenomena, e.g. Loch Ness, Holy Grail, Big Foot, etc. But they would never find the ‘thing’ that was the subject of the particular episode. Chop Suey is a dish that reportedly originated from migrant Chinese workers who lived in the U.S.A. in the 19th century. When I was young, living in Asia, I wanted everything western. I knew about the dish and equated it to something Western/North American. The title is a comment on my belief that each of us has a deep desire to find meaning for our lives—even as that meaning eludes us and/or is not what it seems.”

Photo Gallery
Photos by Cylla von Tiedemann
Previous Solo

by Yvonne Ng

Performed by Yvonne Ng 

Dora Mavor Moore Awards & Nominations

Outstanding Production Nomination for In Search of the Holy Chop Suey
Outstanding Original Choreography Nomination for Yvonne Ng
Outstanding Performance – Female Nomination for Yvonne Ng
Outstanding Lighting Design Nomination for Arun Srinivasan

The 2016 MyTheatre Awards
Outstanding Solo Performance Nomination for Yvonne Ng

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